FRAME LENS FOR SONY A7III FULL
FRAME LENS FOR SONY A7III PRO

It's not every third-party manufacturer that's brave enough to go toe-to-toe with Sony's G Master lenses, but the Samyang AF 135mm F1.8 FE is one that pulls it off.

FRAME LENS FOR SONY A7III FULL

Read our full Sigma 24-70mm f/2.8 DG DN Art review for more details Best for street photography Bokeh is enhanced by an 11-blade diaphragm, whereas the DSLR version of the lens only has nine blades. Top-notch construction includes comprehensive weather seals and a super-fast, virtually silent stepping motor autofocus system.īarrel distortion at 24mm and vignetting at f/2.8 are rather noticeable when uncorrected in-camera but overall handling, performance, and image quality are excellent, and it’s ultra-sharp. The all-new optical path includes no less than six FLD (‘Fluorite’ Low Dispersion) and two SLD (Special Low Dispersion) elements. This newer ‘DN’ edition for Sony full-frame E-mount cameras isn’t just a tweak of the original DSLR version, but rather a complete redesign. Noticeable distortion and vignetting when uncorrectedĭepending on which standard zoom you got with your A7 III, you might decide you need an upgrade, and rather than the Sony FE 24-70mm G Master, which is the obvious but expensive choice, we rate Sigma’s 24-70mm f/2.8 Art lens. Read our full Sigma 20mm F2 DG DN | C full review for more details Best for enthusiasts Overall, this is an ideal ultra-wide-angle lens for architectural interiors, sweeping landscapes, astrophotography, and more besides. Autofocus is fast and near-silent, based on a stepping motor. Vignetting is quite severe at apertures wider than f/5.6 but in-camera corrections are generally available for this as well as for distortion. Intuitive handling combines with impressive image quality: the Sigma delivered very good levels of sharpness in our real-world tests, right out to the corners of the frame even when shooting wide-open at f/2. Smaller and lighter than Sony's 20mm f/1.8, yet almost as fast, Sigma's 20mm f/2 is a simply superb wide prime.ĭespite being such a lightweight lens, it features a robust, full-metal construction and high-quality optical path. Sometimes a faster, ultra-wide prime is just more convenient. Ultra-wide zooms are great, but they are also pretty big and expensive and have a modest maximum aperture. Read our full Sony FE 50mm f/1.4 GM review. However, few which share quite the same size and weight, lightning-fast autofocus, and solid moisture-resistant construction that this lens offers.

Unfortunately, the downside is the lens is expensive when compared to similar rivals, with much cheaper third-party glass out there that will achieve similar visual results. If you don't need the extra aperture stop, or the added size, weight, or considerable cost of the FE 50mm f/1.2 GM, then the Sony FE 50mm f/1.4 will serve you perfectly. The 50mm perspective offers a very versatile focal length, and it is definitely a lens that can be left on your camera for a moment's notice. With only a small falloff towards the edges of the frame and some vignetting wide open, this lens gets almost full marks. The Sony FE 50mm f/1.4 is the lens that is most suited to most Sony shooters, impressively light and compact, but not compromising one bit on optical quality, this lens is almost perfect when it comes to sharpness in the center. We'll do this in order of focal length, from the widest to the longest. Read on to find the best lenses for the Sony A7 III and bag the perfect companion for your camera.

FRAME LENS FOR SONY A7III PRO

Of course, many of these lenses will also prove perfect for other Sony full-frame lenses from the original A7 to the A7R IV, and even the pro A9 II.

Longer lenses are important too and help reach out and capture the action when taking wildlife, sports, or action shots so we’ve picked the best of those as well. Included in this list are fast ultra-wide angle lenses for astrophotography, landscapes, and real estate photography but also super sharp primes ideal for isolating beautiful portrait subjects against a busy background. Many hybrid shooters, therefore, require superior quality lenses that lend themselves to both disciplines, namely lenses that have smooth focusing and silent operation. For a long time, the Sony A7 III has been one of the best full-frame mirrorless cameras since it performs just as well at stills as it does video.

Frame lens for sony a7iii